帝国与认同：鲁德亚德·吉卜林印度题材小说研究

序
前言
Foreword
Bibliographical Note
Chapter 1 Introduction：the First British Winner of the NobelPrize for Literature and a Controversial Writer
1.1 Rudyard Kipling Reconsidered
1.2 Rudyard Kipling’s Works and Their Value
1.2.1 Rudyard Kipling’S Writing Career
1.2.2 The Value of Rudyard Kipling’S Works
1.3 A New InterpretatiOn
Chapter 2 The Rise and Fall of Rudyard Kipling in Literary Critical History
2.1 Criticism of Rudyard Kipling in England
2.1.1 Rudyard Kipling’s Meterotic Rise to Fame
2.1.2 Satire and Criticism
2.1.3 Rudyard Kipling’s Climb Back to Celebrity
2.2 Critical Reception of Rudyard Kipling Outside England
2.2.1 Critical Reception of Rudyard Kipling in the English and Russian World
2.2.2 Criticism of Rudyard Kipling in China
Chapter 3 Empire and Identity
3.1 The Victorian Period：An Imperialistic Age
3.1.1 The Social and Historical Context
3.1.2 The Cultural and Philosophical Developments
3.1.3 Imperialism in the Victorian Period
3.2 Rudyard Kipling’S Empire
3.2.1 Rudyard Kipling’S Philosophy for Living
3.2.2 Rudyard Kipling’S Identity Crisis
3.2.3 Rudyard Kipling’S Notion of Imperialism
Chapter 4 Fears and Anxieties：Rudyard Kipling’S Early Indian Stories
4.1 Introduction
4.2 The Anglo-Indian Stories
4.3 The Military Stories
4.4 The Native Indian Stories
4.5 Summary
Chapter 5 Law and Control：Rudyard Kipling’S Indian Stories in Brattleboro
5.1 Introduction
5.2 Persistence of Ideal Imperialism
5.3 The Law
5.4 Anxiety and Divided Loyalties
5.5 Beginning of the East-West Reconc订iation
5.6 Summary
Chapter 6 Kim：Reconciliation of the East and the West
6.1 Kim’S Writing and Literary Reception
6.2 Conflicts and Opposition
6.3 Imperialism or Not?
6.4 Kim:Representative of the East and the West
6.5 Revisions:Transcendence of Racism
Chapter 7 Conclusion
References