Preface
Section One Cultural Ideals
A Rediscovery of Heaven-Human Oneness
The Three-fold Significance
Tiandi and Its Naturalistic Aspects
Tiandao and Its Moralistic Expectations
Tianxia and Its Cosmopolitan Ideal
The Two-dimensional Orientation
Ziran Renhua, or the Humanization of Nature
Ren Ziranhua, or the Naturalization of Humanity
A Pragmatic Alternative
A Multicultural Strategy:Harmonization Without Being Patternized
The Meeting of East and West as a Good-natured Hypothesis
Harmony and Uniformity in Perspective
The Need of a New Philosophos Poiesis
Happiness from Philosophical Perspectives
Good Fortune and Misfortune
Happiness as Contentment
The Great and the Small
Perfect Happiness
Three Types of Joy
The Delighted Pursuit of Love
Paradise and Sudden Enlightenment
Rule by Virtue in Chinese Society Today
The Interaction Between the Two Paradigms
The Traditional Sense of Rule by Virtue
Rule by Virtue and Problems with Moral Education
Turn from Guest into Host
Transplanting an Orange Tree in Less Favorable Soil
Moral Education Hooked in the Air
A New Cultural Ideal and Pursuit
The Cultural Ideal and the Pagoda Allegory
The Transcultural Pursuit and the Transformed Overman
A Second Reflection and a Three-fold Process
Strategy
Section Two Thinking Strategies
The Philosophized Dao in Multi-dimensions
The Dao of the Universe
The Dao of Dialectics
The Dao of Human Life
The Dao of Heaven and Man
The Dao of Personal Cultivation
The Dao of Governance
The Dao of War
The Dao of Peace
The Poetic Wisdom on Human Existence
Frame of Reference: The Dao of Man, Heaven and the Sage
Pursuit of Sageliness: Practical and Sagely Wisdom
Path to Freedom: Attitudes Toward Life and Death
A Symbolic Way of Thinking Through Fables
The Peng and Happy Excursion to the Infinite
The Butterfly and Self-emancipation
Section Three Aesthetic Pursuits
Appreciating Nature in View of Practical Aesthetics
Three Levels of Aesthetic Experience
Aesthetic Effects of Heaven-and-Human Oneness
Interactions Between Western and Chinese Aesthetics
Fragmentary Elaboration of Western Aesthetics
Systematic Construction of Aesthetics as a Discipline
Theoretical Incorporation through East-West
Communication
Cross-disciplinary and Comprehensive Practice of Art Education
Transcultural Pondering in View of Cultural Origins
Appendix
Key References
Index