The wake of the new millennium will be remembered inlarge part for the rising power of corporations: for themonumental scare of international: architectural projects: theboom of the global art market: and the acceptance of designas the common Language of consumerism and good tastein post-industrial societies. Facing increasingly educated:sophisticated and aware markets: brands are challenged topush their boundaries and integrate the vocabulary of designin all of their expressions: including retail.. The nomenclature"retail design" is graduaLLy being replaced by "experientialdesign:" a subtl.e switch in the practice that infuses the retailexperience with flavors of music: art: LifestyLe: iLLustration anddesign: reflecting a certain sense of involvement in cultureand entertainment.WhiLe lifestyle brands march into this promising retailterritory: designers and creative directors are encouragedto experiment in the way they approach their work bybroadening the array of their practices. I am personaLLy partof this generation of creatives who have been commisstonedto devel.op retail projects even though I was never trained asan architect or an interior designer. What I had instead was agrowing foLLowing of my studios work coupled with a desireto expand my playground into the various arenas of whathas now become experientiaL design: sound: smeLL: graphicdesign: iLtustration: industrial design: craft. I use myselfas an example because several: of the creatives featured inthis book share a similar background: fueled by a desire toexpress themselves through aLL media and expand the realmof their practice. This inter-discipLinary approach: a sort oftwenty-first century renaissance: if you will: is what brandsare Looking for today in order to maximize the impact of anyof their retail projects.