一批流散海外的吐蕃文物的初步考察
解读《巴协》中“藏式佛像”之说
Cave Temples in Dunhuang & the Period of Tibetan Rule(781-847)：
the Vimaiakirti Debae，the Mahaparinirvana of the Buddha
敦煌石窟历史的重构——敦煌吐蕃期洞窟诸现象之省思
被遗忘的曼陀罗：唐代初传的金刚界曼陀罗
敦煌藏经洞出土五代绢画降魔图像解读
西夏石窟壁画中水月观音的传承与流变
伏虎罗汉、行脚僧、宝胜如来与达摩多罗——十一世纪至十三世纪中国多民族美术关系史个案分析
Styles in Western Himalayan Art
拉萨药王山南崖牛头造像考
Hevajra and Mahakala：A Pair of Tantric Gilt Bronze BuddhistImages from Gansu Province
Dating the kesi-Thangka of Acala in the Tibet Museum，Lhasa
Is There Any“Anige Style”in Nepalo-Tibetan and Tibeto-Chinese
Metal Sculpture of the Sa skya Yuan Period?
Chinese Influence in Some Wall Paintings at Zhwa lu and Their
Political Meaning within Their Cultural Context
兴化寺壁画与晋南元代寺观壁画群的几个问题
一幅巨作，几点猜测——关于元代刻丝大威德金刚曼荼罗
从胜利幢到雨伞——谈元代居庸关过街塔基门券两壁之四天王造形
Sino-Tibetan Influence on Goryeo Buddhist Art in Korea
A Yung lo Embroidery Thangka：Iconographic and Historic Analysis
A Tibetan Thangka Painted in Beijing
Sino-Tibetan Tangkas of the Chenghua and Zhengde Periods in Western Collections
A Version ofthe Ngor Mandala Collection
略论明清唐卡绘画中的玻璃器皿
试考雪堆白及其造像艺术
四川白垭寺藏传佛教壁画调查报告——壁画的内容与时代
藏文题记观世音铜像考——兼论却英多吉题记造像的制作年代
Sitatapatra(Baisangai fomu；gDugs dkar po)：Interactions between Chinese and Tibetan Buddhism
清宫大白伞盖佛母信仰探析
The Qianlong Emperor’s Crypt：Tibetan-Buddhist and Sino-Manchu
Representations in the Mingtang Section
Qing Buddhist Architecture between Beijing，Inner Mongolia and Amdo：
The Huilang Shi Dugang
The Iconography of the Sixteen Karmapas of Tibet，Karmapa-Representations
in Tibet and the West——13th-21st Century
夏吾才让、张大千和汉藏文化交流，1941-1943：界定中古和现代安多地区画坊生产的研究方法
佛装与僧装的概念以及穿着形式
“定光佛授记”与定光佛
西藏曼荼罗缘起
大黑天图像样式考
佛教美术上的仁兽
Research on Technological Style in Studies of Tibetan and Sino-Tibetan Art
Regional Styles in Tibetan Furniture
纳西族东巴教“神路图”与藏传佛教“生死之轮”比较研究
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