FOREWORD | Philip Tinari, director, UCCA
AS SEEN 2 | Introduction
Heman Chong | A Stack
Pak Sheung Chuen | The Horizon Placed at Home
Luo Dan | Simple Song
Li Ran | Mont Sainte-Victoire (and other points of reference)
Chen Zhen | Same Bed, Different Dreams
Gu Dexin | Important is not the Meat
Huang Ran | Disruptive Desires, Tranquility, and the Loss of Lucidity
Liao Guohe | Popular Painting
Zhang Hui | Groundless
Xie Fan | The Layers
Wang Du | Contemporary Art Museum of China
Xu Bing | Book from the Ground
Irrelevant Commission | Why We Do Useless Things? and Unrelated Parades
Ma Ke | Life Most Intense
Jiang Zhi | If This is a Man /
Yang Fudong | Close to the Sea / Revival of the Snake
Jiang Xiaochun |
Li Shurui | The Shelter / A Wall
Zhang Ding | Buddha Jumps over the Wall
Hu Xiangqian | Protagonist
Wang Sishun | Liminal Space
Hai Bo | Solo
Zhou Tao | Collector
Pei Li | Generation P
Li Dafang | Throw-back: Jin Zhan's Messy Growth, His Language and His Relatives
Wang Wei | A Wall on the Wall-A Floor on the Floor
Geng Jianyi | Wu Zhi
Chen Wei | A Forgettable Song / Xian City
Li Songsong | The One
Hu Yun | The Secret Garden / Reeves's Pheasant
Zheng Guogu | Spirits Linger With Dust
Liu Wei | By Order of the Artist: No Title Necessary
Utopia Group | Trudge: Geography of Utopia Group
Zhou Yilun | Our House by the Seashore
Hu Xiaoyuan | No Fruit at the Root
Cao Fei | Secret Tales from the Museum
INDEX OF EXHIBITIONS
ACKNOWLEDGEMENTS