中国艺术近况
ASPECTS
OF CHINESE ART
IN RECENT YEARS
面向东方
Figuration Facing Eastward
时代的变化:中国的摄影
Time Changes: Photography in China
新”抽象”画家
The New"Abstract"Painters
秩序与混乱的符号
Signs of Order and Chaos
革新与身份
REVOLUTION AND ENTREPRENEURSHIP
曾梵志:理想主义批判
Zeng Fanzhi: Critique of Idealism
魏东的讽刺梦境
Wei Dong's Ironic Dreams
文化伤痕:1960年代的中国与美国,以及段江华的绘画
Reflections on Cultural Trauma: China and America in the 1960s,and the Paintings of Duan Jianghua
尹朝阳:悬而未决的对立
Yin Zhaoyang: The Suspension of Opposites(Without Resolution)
空白的肖像:徐唯辛的后毛泽东时代中国景观
Portraits of Emptiness: Xu Weixin's Vision of Post—Maoist China
张晓刚在纽约
Zhang Xiaogang in New York(2008)
超物质思维
THE METAPHYSICAL MIND
林延:通往未来之门
Lin Yan: The Gateway to the Future
叶永青的矛盾与现实
Ye Yongqing's Paradox and Reality
沈忱:神思清澈
Shen Chen: Clarity of Vision,Emptiness of Mind
魏立刚:回应当下,继承传统
Wei LiCang: To Respond to the Moment Without Forgetting
张建君:记忆与历史的脚步
Zhang Jianjun: Memory and the Process of Historical Time
消散的光华:张洹近作
Aura of Disappearance: Recent Works by Zhang Huan
乌托邦与市场
UTOPIA AND THE MARKETING OF ART
艺术之中的主观乌托邦
Subjective Utopia in Art
艺术家与市场
The Artist and the Marketplace
中国当代艺术市场推广与鉴赏
On Connoisseurship in the Marketing of Contemporary Chinese Art
上海来信
Letter from Shanghai(2010)
作者致谢
ACKNOWLEDGEMENTS