定 价:¥59.00
作 者: | 陈伟 |
出版社: | 清华大学出版社 |
丛编项: | 高等教育艺术设计精编教材 |
标 签: | 暂缺 |
ISBN: | 9787302487661 | 出版时间: | 2018-02-01 | 包装: | |
开本: | 16开 | 页数: | 189 | 字数: |
第1章 构成设计概述
1.1 构成的基本知识 ......................................................................1
1.1.1 构成的起源 ...........................................................................................1
1.1.2 构成的含义与目的 ...............................................................................3
1.1.3 构成的分类 ...........................................................................................4
1.2 构成的思维方式 ......................................................................4
1.3 构成的学习方法 ......................................................................8
思考与练习...................................................................................10
第2章 平面构成
2.1 平面构成的基本要素——点 .....................................................11
2.1.1 点的基本概念 .....................................................................................11
2.1.2 点的性质与作用 .................................................................................12
2.1.3 点的性格表现 .....................................................................................16
思考与练习...................................................................................17
2.2 平面构成的基本要素——线 .....................................................18
2.2.1 线的基本概念 .....................................................................................18
2.2.2 线的性质与作用 .................................................................................19
2.2.3 线的种类与性格特征 .........................................................................23
思考与练习...................................................................................25
2.3 平面构成的基本要素——面 .....................................................25
2.3.1 面的基本概念 .....................................................................................26
2.3.2 面的性质与作用 .................................................................................27
2.3.3 面的种类与性格特点 .........................................................................30
2.3.4 图与底互换原理 .................................................................................34
思考与练习...................................................................................35
2.4 平面构成中的形态变化 ...........................................................36
2.4.1 形态与心理感受 .................................................................................36
2.4.2 层次 .....................................................................................................37
2.4.3 空间 .....................................................................................................38
2.4.4 视角 .....................................................................................................41
2.4.5 构图 .....................................................................................................42
2.4.6 运动 .....................................................................................................46
2.4.7 变形 .....................................................................................................47
2.4.8 质感 .....................................................................................................52
思考与练习...................................................................................52
2.5 平面构成中的形式美法则 ........................................................53
2.5.1 对比与统一的构成形式 .....................................................................53
2.5.2 对称与平衡的构成 .............................................................................57
2.5.3 节奏与韵律的构成 .............................................................................59
2.5.4 灵性的虚与实的构成 .........................................................................60
思考与练习...................................................................................62
2.6 肌理在平面构成中的应用 ........................................................62
2.6.1 肌理的含义、分类、形式及制作技法 ..............................................63
2.6.2 肌理与心理 .........................................................................................65
思考与练习...................................................................................68
第3章 色彩构成
3.1 色彩构成的基本理论 ..............................................................69
3.1.1 色彩的生理与物理理论 .....................................................................69
3.1.2 色彩的源泉与实践 .............................................................................76
3.1.3 色彩的基本属性 .................................................................................78
3.1.4 色立体 .................................................................................................81
思考与练习...................................................................................89
3.2 色彩与心理感觉 ....................................................................89
3.2.1 色彩的视知觉感受 .............................................................................90
3.2.2 色彩的情感 .........................................................................................94
3.2.3 色彩的联想 .........................................................................................98
3.2.4 色彩的性格与象征 ...........................................................................104
3.2.5 色彩的肌理与心理感受 ...................................................................104
思考与练习.................................................................................105
3.3 色彩对比原理 .....................................................................105
3.3.1 色彩对比的概念 ...............................................................................106
3.3.2 色彩对比的构成原理 .......................................................................106
3.3.3 色彩对比的形式 ...............................................................................107
思考与练习.................................................................................114
3.4 色彩调和原理 .....................................................................115
3.4.1 色彩调和的概念 ...............................................................................115
3.4.2 色彩调和的形式 ...............................................................................116
思考与练习.................................................................................123
第4章 立体构成
4.1 空间立体的基本元素和形态的情感特征 ....................................125
4.1.1 立体构成的基本元素与情感特征 ...................................................125
4.1.2 空间立体的基本形态及情感特征 ...................................................133
思考与练习.................................................................................136
4.2 空间立体的形式美法则及审美感受 ..........................................136
4.2.1 立体基本形的含义及构成形式 .......................................................137
4.2.2 立体构成与空间结构 .......................................................................147
4.2.3 立体构成中的对比与统一原理 .......................................................152
4.2.4 立体构成中的节奏与韵律原理 .......................................................158
4.2.5 立体构成中的平衡与稳定原理 .......................................................159
思考与练习.................................................................................163
4.3 立体构成的肌理表现 ............................................................163
4.3.1 肌理的含义、分类、功能及制作方法 ............................................165
4.3.2 立体肌理的表现及情感特征 ...........................................................168
思考与练习.................................................................................170
4.4 基本形体的综合构成 ............................................................171
4.4.1 线立体形态构成 ...............................................................................171
4.4.2 面立体形态构成 ...............................................................................176
4.4.3 块立体形态构成 ...............................................................................186
思考与练习.................................................................................188
参考文献
V