明代小说四大奇书的叙事艺术

目 录
绪 论.........................................................................................................................1
节 论题的成形................................................................................................1
第二节 研究的现状................................................................................................8
第三节 研究的取向..............................................................................................13
第四节 研究的方法与架构...................................................................................22
上篇：故事孕育层
章 中国叙事传统的建构...................................................................................32
节 史传与叙事..............................................................................................33
第二节 中国叙事传统的建构...............................................................................40
第三节 司马迁与《史记》...................................................................................50
第四节 太史公笔法..............................................................................................63
第二章 民间叙事传统的流衍...................................................................................74
节 抒情言志与缘事而发...............................................................................74
第二节 变文、话本与“说话”...........................................................................87
第三节 宋元话本小说的编写与刊行..................................................................101
第三章 累积的奇书与失意的才子..........................................................................113
节 白话小说家的特质.................................................................................113
第二节 《三国志演义》《水浒传》及其作者.....................................................122
第三节 《西游记》《金瓶梅》及其作者.............................................................131
第四节 高才文人与才子小说.............................................................................146
第四章 政治、社会与文化的孕育..........................................................................154
节 世衰道微与市民阶层的崛起..................................................................155
第二节 宋元话本小说的义涵.............................................................................168
第三节 王阳明心学影响的评估..........................................................................178
中篇：叙述形态层
第五章 四大奇书体式的建构.................................................................................190
节 宋元话本小说的叙事形态......................................................................191
第二节 讲史平话是章回体小说的雏形...............................................................197
第三节 史传叙事体裁的融合活用......................................................................207
第四节“说话”模式及其文本化......................................................................222
第五节 “说话”模式的特质与便利..................................................................231
第六章 文备众体与才子文法.................................................................................240
节 史笔与文笔的会通.................................................................................241
第二节 四大奇书与《春秋》书法......................................................................254
第三节 白话小说叙事美学的追求......................................................................269
第七章 西方叙事理论与四大奇书..........................................................................282
节 时态：四大奇书叙述的方式..................................................................282
第二节 语式：四大奇书叙事的传达..................................................................287
第三节 语态：四大奇书叙述的形态..................................................................300
下篇：叙事话语层
第八章 四大奇书的小说叙事文法（上）...............................................................310
节 文人评点与小说文法.............................................................................311
第二节 总文理：四大奇书情节的布局...............................................................322
第三节 统首尾：四大奇书情节的起结...............................................................331
第九章 四大奇书的小说叙事文法（下）...............................................................344
节 定与夺：四大奇书情节的详略...............................................................344
第二节 合涯际：四大奇书情节的衔接...............................................................359
第三节 弥纶一篇：四大奇书情节的统合...........................................................375
第十章 士庶心声的传达........................................................................................390
节 《三国志通俗演义》的寓意................................................................391
第二节 《水浒传》的寓意...............................................................................395
第三节 《西游记》的寓意...............................................................................408
第四节 《金瓶梅》的寓意...............................................................................414
第五节 四大奇书的悲剧意境.............................................................................421
结 论......................................................................................................................427
后 记