Acknowledgements
Preface: Study Groups, Honeybees, and Dialogues in Applied Ethnomusicology
Introduction: The Vibrant and Diverse Practices of Applied Ethnomusicology
Part One:
General Refleetions on the Field
Applied Ethnomusicology in China and Beyond: Dialogues and Reflections
Outreach, Inreach, Transreach? - Defining Types of Musical Community Engagement
Let's Not Forget the Larger Context: Short-term Applied Projects and Long-term Sustainability
Part Two:
Applied Ethnomusicology and Intangible Cultural Heritage
Ways of Engaging with Traditional Music Performances by Chinese Ethnomusicologists: A Personal Perspective
Uyas Kmeki of the Seediq: A Case Study on the Efforts toward Cultural Sustainability in Taiwan
Practice and Experiment: China's National Cultural Ecosystem Conservation Areas as a New Approach to Intangible Cultural Heritage
Incorporating Intangible Cultural Heritage in a Local Conservatory: The Case of Dongbei Dagu, a Narrative Art from Northeastern China
Part Three:
Applying Ethnomusicology in Various Settings
Applied Ethnomusicology in Museum Exhibitions: Critical Reflections on Sound Narratives as a Method for Knowledge Transfer
Music Without Borders: Austria as a Case Study in Conducting Intercultural Music Education Through Ethnomusicology
Performing Cultural (Un-) Sustainability: Rationale and Impact of an Applied Theatre Workshop in a West-African Graduate Programme
Rama and the Worm: A Performance-Based Approach to Applied Ethnomusicology
Quilombo, Favela, Rua: Sarau Divergente in the Fight against Black Genocide in Rio de Janeiro
Note: Other than Xiao Mei and Gao Shu, all Chinese names are presented with family names coming last.
鄂公网安备 42010302001612号 