唐五代翰林待诏研究

绪 论 ..................................................................................................................................................001
INTRODUCTION .............................................................................................................................005
国内外学术研究综述 .........................................................................................................................009
一、“翰林待诏”职任渊源研究 .................................................................................009
二、唐五代翰林制度研究 ..............................................................................................012
三、对各类别翰林待诏的研究 .....................................................................................015
四、对唐五代翰林待诏社会文化背景的研究 ..........................................................020
五、研究中的问题与有待拓展的空间 ........................................................................021
章 从“待诏”到“翰林待诏”..........................................................................................023
节 “以供天子，百物在焉”：汉代的待诏 ..........................................................023
第二节 “更召引文学士”：魏晋南北朝时期的待诏 ..................................................028
第三节 “名儒学士时时召以草制”：唐前期的待诏类机构 ....................................031
第四节 “天下以艺能技术见召者之所处”：翰林院与翰林待诏的设置 ..............034
本章小结 .....................................................................................................................................038
第二章 唐代翰林待诏职任考 .......................................................................................................041
节 翰林待诏技艺分类考述..........................................................................................041
一、琴 ................................................................................................................................041
二、棋 ................................................................................................................................044
三、书 ................................................................................................................................047
四、画 ................................................................................................................................054
五、天文 .............................................................................................................................057
六、医学 .............................................................................................................................060
七、宗教和方术 ................................................................................................................061
第二节 “家传”与“师承”：翰林待诏的选任 ..........................................................063
一、翰林待诏的家族传承 ..............................................................................................064
二、翰林待诏的师徒传承 ..............................................................................................068
第三节 “亦系差遣无品秩，故常假以它官”：翰林待诏的迁转 ...........................070
一、翰林待诏迁转的影响因素 .....................................................................................071
二、翰林待诏的官职特点—以韩秀实为例 ..........................................................076
本章小结 .....................................................................................................................................081
第三章 “文”“艺”之间：文化视野下的唐代翰林待诏 ..................................................083
节 从鸿都门学到翰林院：汉唐帝王与士人才艺观的变迁 ................................083
一、鸿都门学和翰林院的比较 .....................................................................................084
二、分歧与调和：帝王与士人的才艺观 ...................................................................086
三、从“标新立异”到“习以为常”：对才艺之士的任用态度 .......................100
第二节 唐代翰林待诏的文士色彩—以王敬傲、程修己为例 ................................103
第三节 相异与相通：翰林待诏与翰林学士的关系 ......................................................111
本章小结 .....................................................................................................................................118
第四章 五代十国时期的翰林待诏—以前后蜀、南唐画待诏为中心 ...........................121
节 唐代文艺风气的沿袭和发扬 .................................................................................128
第二节 翰林待诏职衔的层级化..........................................................................................131
一、翰林祗候 ....................................................................................................................131
二、翰林司艺 ....................................................................................................................132
三、画院学生 ....................................................................................................................132
第三节 翰林待诏的宫廷活动和民间影响—以书画领域为例 ................................134
一、翰林待诏宫廷活动的新特点 .................................................................................134
二、翰林待诏的民间影响 ..............................................................................................136
第四节 五代十国翰林待诏与唐宋社会文化变迁 ..........................................................144
本章小结 .....................................................................................................................................147
第五章 “走向民间”的“工伎群官”：“待诏”的后世流变 .........................................149
节 宋代翰林待诏制度的基本特点 ............................................................................149
第二节 翰林待诏的“匠人化”趋势 .................................................................................152
第三节 “走向民间”：“待诏”新涵义的产生与发展 .............................................154
本章小结 .....................................................................................................................................158
结 语 ..................................................................................................................................................159
图版说明..............................................................................................................................................163
参考文献 ..............................................................................................................................................164