【目 录】
Contents
Introduction / 001
ⅠWomanConscious Drama: The uvre of Norman, Wasserstein
and Vogel / 005
ⅡLiterature Review / 019
ⅢRitual, Liminal Female Self and Performativity / 033
Chapter One
Destruction and Resurrection: Marginalized
Women Reborn from Death Ritual and Ritual Death / 049
ⅠAn Excons SelfReformation Through Rites of Affliction and
Renaming / 054
ⅡAn Epileptics SelfEmpowerment by Performing Her Own
“Requiem Mass” / 081
ⅢA Whores Elevation to Spiritual Guide in Initiating a Few
Rituals / 105
Chapter Two Compliance and Resistance: Educated Women
Redefined by (Mis)performing Rituals / 129
ⅠBecoming “Uncommon Women” by Carnivalizing
College Rituals / 134
ⅡA Humanists Conversion to Feminist by Participating
in a CR Ritual / 163
ⅢThree Sisters SelfRenewal after a Jewish Ritual of
Sabbath Sundown / 187
Chapter Three Subversion and Reconstruction: Transgressive
Women Empowered Through Parodied Rituals / 213
ⅠNegotiating Gender Roles in Playacting Rituals of “Dying”
and “Service” / 217
ⅡIdentifying with the Other Through Fantasized “Rite of
Loving Exorcism” / 240
ⅢShifting Power Through Parodied Rites of Initiation and
Courtship/ 264
Chapter Four The Performativity of Ritual and Identity in
Contemporary American Womens Drama / 287
ⅠRitual in the Womens Movement and the Feminist Ritual Theater / 290
ⅡThe Performativity of Ritual / 300
ⅢThe Performativity of Female Self / 313
Conclusion / 326
References / 334