INTERDUCTION
0.1 Wulitou as a Popula Style of Naative in China
0.2 Stoy, Naative and Schema
0.3 The Deconstuction of Schema in Wulitou Naatives
0.4 The Act of Seeing and the Constuction of Naative
0.5 The Rise of the Intenet and Wulitou Naative
0.6 Wulitou Naative and Chinese Native Cultual Context
0.7 Key Notions and Chapte Outlines
CHAPTER 1 WULITOU: AN ABNORMAL STYLE OF NARRATIVE
1.1 Why “We Humans Love Stoy”
1.2 Wulitou as an A
nomal Naative Style
1.3 The Populaity of Wulitou as a Style of Naative
CHAPTER 2 THE ACT OF SEEING, NARRATIVE AND MEDIA
2.1 The Act of Seeing Befoe Naative
2.2 Seeing as an Act of Choice / 108 2.3 Media and the Way of Seeing
2.4 The Populaity of Wulitou Naative and the Intenet
CHAPTER 3 THE WAY OF SEEING CORRESPONDING TO WULITOU NARRATIVE
3.1 TheSpatio-Tempoal Dimension of Seeing
3.2 The Way of Seeing Coesponding to Wulitou Naative
CHAPTER 4 WULITOU NARRATIVE AND POSTMODERNISM
4.1 Pemodenism, Modenism and Postmodenism
4.2 The Fom Designs of Typical Postmodenism Naative
4.3 Wulitou Naative and Typical Postmodenism Style Naative
4.4 The Cultual Context in China Aound the End of 1990s
CHAPTER 5 THE DESTRUCTION IN WULITOU NARRATIVE
5.1 Schema and Achetype
5.2 Wulitou: a Means to Deconstuct the Odes Between Things
5.3 The Canival, Gass Root, Paody and Wulitou Naative
CHAPTER 6 THE DECLINE OF WULITOU NARRATIVE
6.1 Anothe New Ea
6.2 Fom PC to Mo
ile Devices
6.3 Conclusion and Pospect
目.录
引言
0.1 在中国作为一种流行叙事风格的无厘头
0.2 故事、叙事与图式
0.3 无厘头叙事中的图式解构
0.4 观看与叙事建构
0.5 互联网的兴起与无厘头叙事
0.6 无厘头叙事与中国本土文化语境
0.7 主要概念和章节提要
章 .无厘头：一种另类的叙事风格
1.1 为什么“人类热衷于故事”
1.2 作为一种另类叙事风格的无厘头
1.3 无厘头叙事风格的流行
第二章 .观看、叙事与媒介
2.1 先于叙事的观看行为
2.2 观看行为的选择
鄂公网安备 42010302001612号 