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Prologue/Go Forward(6)

当幸福来敲门(中英对照) 作者:(美)克里斯·加德纳


Go forward. That became my mantra, inspired by the Reverend Cecil Williams, one of the most enlightened men to ever walk this earth, a friend and mentor whose goodness blessed me in ways I can never sufficiently recount. At Glide Memorial Methodist Church in the Tenderloin—where the Reverend Williams fed, housed, and repaired souls (eventually accommodating thousands of homeless in what became the first homeless hotel in the country)—he was already an icon. Then and later, you couldn’t live in the Bay Area without knowing Cecil Williams and getting a sense of his message. Walk that walk, he preached. On any Sunday, his sermon might address a number of subjects, but that theme was always in there, in addition to the rest. Walk that walk and go forward all the time. Don’t just talk that talk, walk it and go forward. Also, the walk didn’t have to be long strides; baby steps counted too. Go forward. 

The phrases repeated in my brain until they were a wordless skat, like the three-beat staccato sound as we rode the train over the BART rails, or like the clack-clack-clack syncopation of the stroller wheels with percussion added from the occasional creaks and squeals and groans they made going over curbs, up and down San Francisco’s famed steep hills, and around corners.

In years to come, baby carriages would go way high-tech with double and triple wheels on each side and all aerodynamic, streamlined, and leather-cushioned, plus extra compartments for storing stuff and roofs to add on to make them like little inhabitable igloos. But the rickety blue stroller I had, as we forged into the winter of 1982, had none of that. What it did have—during what I’m sure had to be the wettest, coldest winter on record in San Francisco—was a sort of pup tent over Chris Jr. that I made of free plastic sheeting from the dry cleaners.

As much as I kept going forward because I believed a better future lay ahead, and as much as I was sure that the encounter outside San Francisco General Hospital had steered me to that future, the real driving force came from that other pivotal event in my life—which had taken place back in Milwaukee in March 1970, on a day not long after my sixteenth birthday.

Unlike many experiences in childhood that tended to blur in my memory into a series of images that flickered dimly like grainy, old-fashioned moving pictures, this event—which

must have taken up little more than a split second of time—became a vivid reality that I could conjure in my senses whenever I wanted, in perfectly preserved detail.

This period was one of the most volatile of my youth, beyond the public turbulence of the era—the Vietnam War, the civil rights movement, echoes of assassinations and riots, and the cultural influences of music, hippies, black power, and political activism, all of which helped to shape my view of myself, my country, and the world.


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